Author and blogger Riti Prasad writes about her fashion choices

everyday style, fashion

A popular or latest style of clothing or a manner of doing things, what is your definition of fashion? I have never been the type for whom the latest style or cuts work perfectly. For me, fashion was and is defined by clothes in which one feels comfortable in one’s skin, confident to take on the world and challenging situations, and feeling that I look my best without worrying about unsightly curves on display or seams that could burst anytime. It is not just about high-priced labels but also about quality, workmanship and the right fit. My fashion choices have always been safer, hesitant and predictable so far.The forties, however opened the floodgates. I began to think bold splashes of colour, explore racks that I would have never stepped close to in the previous decade and experimented with different kinds of attire like skirts and dresses that I had not worn for nearly 10 years.
Look 1


The all-forgiving, ubiquitous sari. 
Saris to me was about if there is no matching blouse I cannot wear that sari. It was something that one wears on special occasions and only the fancy silk variety that looks grand and well-set on the body.In my forties, I learnt to step out in a sari that boldly draped over shoulders that showed a blouse with colours that had no connection with the sari. In fact I rebelled in the blouse does not match proclamation! I got a selection of blouses stitched in bold hues that could work with saris of colours that were either bright and flashy or dull. Blouses that lit up the sari in a manner in which the attached blouse we buyers are so fond of, would never do.
This look is put together with a bright rani pink Bengal cotton sari. which is buttery soft and cocoons the wearer in the folds. Nothing describes fuchsia as well as rani pink, a colour so named because it was a combination of rare purple fit for royalty and pink. This is worn with a yellow blouse that doesn’t really match exactly with the borders but still works. 
I teamed it with a chunky silver floral filigree necklace, an antique finish bracelet a setting of fuchsia stones, from GRT jewels, white gold and diamond hoops from Carat Lane and silver sandals from Clark’s. After years of snobbishly wearing only gold, I hesitatingly moved to rose gold and then white gold to try whether I could work with colours that only the fair-skinned people seem to feel confident with. One day, I graduated to silver- a metal I fell in love with all over again when I discovered the variety I could play with in accessories and style without draining my savings. 
I also discovered that I could no longer rely on flimsy footwear that gave up on me on the second wear and have permanently moved to sturdy brands like Clark’s and Hush Puppies.


Look 2
Simple, Smart and Comfortable The Kurta revamped.In my previous life, I always went with simple, straight cuts with side slits that in my opinion gave me the illusion of a better figure. I never touched those in which the side slits were given a miss. Fab India was my friend because of their cuts, prints and overall looks. I felt comfortable in their silks on formal occasions because of their no-nonsense cuts with three-fourth sleeves and sometimes high necks and prince collars. It made me feel in command in official meetings.
Then I stepped into Sanginee, a boutique that works with bold cuts; I have noticed inspirations from places one would not have imagined taking. I learnt to wear Anarkalis after 25 years and worked with bolder necklines and patterns.This mustard and red cotton number has been on my to-buy list for almost six months. I loved it yet never felt I could carry it off. In fact I bought it when other pieces of the same or similar cut were already sold.The kurta has pleats that are similar to box-pleated sports skirts of my school. I had instantly seen the possibilities of traversing this look to a dress however to do that I needed to live in the dress. I am glad I bought this, even though it needed a few tucks and stitches to get the cut lengths of the box pleats to my liking.The Kalamkari print also was not the run-off-the-mill kind and the material hugged the body well without being stiff in places. Bright red churidars completed the look.The wooden beads necklace is my go-to necklace for attires of all kinds – western or Indian. Yes, I graduated to wood, seed and cloth jewellery even, in my forties though I did team it up with a gold jhumka and bracelet because it was Diwali and the mood was celebratory.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s